2024 Recipients

  • Best Set Design

    Kevin O’Brien, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Chloe Greaves, Medea – Queensland Theatre

    Josh McIntosh, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival

    Renée Mulder, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG

    Rozina Suliman, Wanderings – The Nest Ensemble/DOOR 3 Queensland Theatre

  • Best Costume Design

    Lisa Fa’alafi & Leah Shelton, Dangerous Goods – A Polytoxic Production presented by QPAC

    Frances Foo, Scenes from a Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA

    Libby McDonnell, Dido and Aeneas – Opera Queensland, in association with Circa

    Renée Mulder, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG

    Deborah Ralston and Seren Wagstaff, Slippery – Curtain World

  • Best Lighting Design

    Jason Glenwright, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Briana Clark, Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA

    Ben Hughes, 37 – Queensland Theatre & Melbourne Theatre Company

    Paul Jackson, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG

    Geoff Squires, AI May – Embodi Theatre/PIP Theatre

  • Best Composition/Sound Design

    Anna Whitaker, Ready or Not – White Rabbit Theatre & HOTA

    Brady Watkins, Moss McGregor and Loki Liddle, Meet Your Maker – Alethea Beetson, Blak Social, Brisbane Festival & Brisbane Powerhouse

    Wil Hughes, Blue – A Belvoir Street production, presented by La Boite Theatre

    Guy Webster, Cost of Living – Queensland Theatre & Sydney Theatre Company

    Guy Webster, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival

  • Best Video Design

    Alethea Beetson, Sasha Parlett, Boneta-Marie Mabo & Ken Weston, Meet Your Maker – Alethea Beetson, Blak Social, Brisbane Festival & Brisbane Powerhouse

    Nevin Howell, Eat Slay Zombie – A Playlab Theatre Production, Presented in Partnership with QPAC

    Freddy Komp, AI May – Embodi Theatre/PIP Theatre

    Craig Wilkinson & Jon Weber, James and the Giant Peach – Shake & Stir Theatre Co & QPAC

    Craig Wilkinson, Round The Twist – Queensland Theatre & QPAC

  • Best Direction

    Isaac Drandic, 37 – Queensland Theatre & Melbourne Theatre Company

    Chelsea August & Egan Sun-Bin, Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA

    Yaron Lifschitz, Dido and Aeneas – Opera Queensland, in association with Circa

    Nadine McDonald-Dowd, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Lisa Smith, Ready or Not – White Rabbit Theatre & HOTA

  • Best Performance in a Leading Role - Mainstage Production

    Thomas Weatherall, Blue – A Belvoir Street production, presented by La Boite Theatre

    Nelle Lee, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival

    Jade Lomas Ronan, Eat Slay Zombie - A Playlab Theatre Production, Presented in Partnership with QPAC

    Vaughan Wapau, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Tibian Wyles, 37 – Queensland Theatre & Melbourne Theatre Company

  • Best Performance in a Leading Role - Independent Production

    CJ de Mooi, Banana Crabtree Simon – de Mooi Media

    Margi Brown Ash, Wanderings – The Nest Ensemble/DOOR 3 Queensland Theatre

    Adam Bartlett, Fun Home – PIP Theatre

    Leo Buzac, After The End – Salad Days Collective

    Ainslee Palmer, Ready or Not – White Rabbit Theatre & HOTA

  • Best Performance in a Supporting Role - Mainstage Production

    Kimie Tsukakoshi, Trent Dalton's Love Stories – Brisbane Festival & QPAC

    Helen Cassidy, Medea – Queensland Theatre

    Georgia Corowa, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Anthony Standish, 37 – Queensland Theatre & Melbourne Theatre Company

    Nic Van Lits, Round The Twist – Queensland Theatre & QPAC

  • Best Performance in a Supporting Role - Independent Production

    Micheal Enright, Fun Home – PIP Theatre

    Jaya Fisher-Smith, A Night With The Villains – Mira Ball Productions

    Greg Gesch, Love Lies Bleeding – Ad Astra

    Julia Johnson, Equus – The X Collective

    Rebecca Murphy, Julius Caesar – Queensland Shakespeare Ensemble

  • Best Ensemble

    Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA

    Broadway Bingo – Outside The Jukebox

    Horizon – A Playlab Theatre Production

    Merrily We Roll Along – Ad Astra

    Slippery – Curtain World

  • Best Musical or Cabaret

    Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Dangerous Goods – A Polytoxic Production presented by QPAC

    Fun Home – PIP Theatre

    Merrily We Roll Along – Ad Astra

    Round The Twist – Queensland Theatre & QPAC

  • Best Circus or Physical Theatre Work

    Dido and Aeneas – Opera Queensland, in association with Circa

    Camp Culture – Dale Woodbridge Brown & Cluster Arts

    [gameboy] by Amy Zhang – Presented by Metro Arts and Mad Dance House. Presented as part of Dance24

    Suavé – The Pink Flamingo Brisbane

  • Best Mainstage Production

    37 – Queensland Theatre & Melbourne Theatre Company

    Eat Slay Zombie – A Playlab Theatre Production, Presented in Partnership with QPAC

    GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival

    Medea – Queensland Theatre

    Trent Dalton’s Love Stories – Brisbane Festival & QPAC

  • Best Independent Production

    Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA

    AI May – Embodi Theatre/PIP Theatre

    Banana Crabtree Simon – de Mooi Media

    Love Lies Bleeding – Ad Astra

    Ready or Not – White Rabbit Theatre & HOTA

  • Billie Brown Award - Best Emerging Artist

    Salad Days Collective – Body of Work: After The End, Backdock Arts; Scenes With Girls, PIP Theatre; Love, VENTspace

    Sophia Ivanna Hodych – Creation, Co-direction, Co-writing: Art of Courage, Art of Courage UKRAINE, PIP Theatre, Brisbane Immersive,

    Adelaide Lukin – Set and Costume Design: Love Lies Bleeding, Ad Astra; Direction: A Balloon Will Pop *at some point during this play, PIP Theatre, East and Under Theatre Co; Mask Design: Art of Courage, Art of Courage Ukraine, PIP Theatre, Brisbane Immersive; Prop Design: Adventures of Peter Rabbit, Small Crown Productions 

    Clarise Ooi – Performance: AI May, Embodi Theatre/PIP Theatre

    Thomas Weatherall – Creation, Writing, Performance: Blue, A Belvoir Street production, presented by La Boite Theatre

  • The Lord Mayor's Award for Best New Australian Work

    Blue – Playwright: Thomas Weatherall (A Belvoir Street production, presented by La Boite Theatre)

    Eat Slay Zombie – Playwright: Alinta McGrady (A Playlab Theatre Production, Presented in Partnership with QPAC)

    Ready or Not – Creator: Ainslee Palmer (White Rabbit Theatre & HOTA)

    Slippery – Playwright: Esther Dougherty (Curtain World)

    Wanderings – Co-writers: Margi Brown Ash, Zac Callaghan & Leah Mercer (The Nest Ensemble/DOOR 3 Queensland Theatre)

  • The Behind The Scenes Award

    Brendan O’Connor, TheatreiNQ

    Brendan O’Connor is a workshop builder, set realiser, creator, artist, associate artistic director, mentor, teacher, rigger, and technical crew member.  As Co-founder and Associate Artistic Director of TheatreiNQ in Townsville, Brendan has not just changed many set pieces, floorboards, and lightbulbs, he has greatly impacted the arts and cultural sector in Far North Queensland and enriched the livelihoods of many performers, young people, and members of the public through his practice. Brendan was paramount in the construction of not only TheatreiNQ itself, but also its venue The Clubhouse, which houses all of the company’s mainstage productions and the numerous youth and regional engagement programs run by TheatreiNQ.  He has created and delivered outstanding productions, encouraged and guided young artists, energised and revitalised the community, and inspires all those who know him.

  • The Gold Matilda

    Flipside Circus

    Flipside Circus is one of Queensland’s largest youth arts organisations and one of our great success stories.

    Since their beginnings in 1994 with community classes under a tree in Davies Park, West End, Flipside have been providing young people across Queensland with the opportunity to learn circus and physical performance regardless of background or circumstances. Focusing on collaboration and celebrating creativity, they foster the development of our next generation of circus and physical theatre artists and create memorable performances on themes that are meaningful to young people, including Matilda nominated shows like 'We Live Here' and 'Wilbur the Optical Whale'.

    In 2023, with the support of government and their broader community, the company opened a $2.4 million purpose-built circus training and presentation space in Hamilton, with specialist circus training facilities unlike any other in Australia, enabling emerging and established circus companies in southeast Queensland to collaborate and create new work. The venue faced a fire at the beginning of 2024, remaining closed for repairs until September. Despite this, Flipside stayed committed to their work, delivering 2,104 workshops for 23,381 participants across the state, including 119 programs to 3,860 kids in over 40 communities in regional and remote Queensland and accessible workshops for 1207 participants as a part of their community/social circus program.

  • The Judges Award

    Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival

    Straight from the Strait was an ambitious and culturally significant work, several years in the making, the first Torres Strait Island musical and one of the first fully staged TSI stories. As such it carries a weight of responsibility to families and to cultural storytelling, as well as entertaining and informing a broader audience.

    The mix of language with limited surtitles meant that English speaking audience members had to guess at times what was being said, reflecting the experience of Torres Strait Islanders themselves at first contact with English speakers.

    The response of the community to the work suggests that it will settle into the culture, being performed over and again, not necessarily in its entirety, but as songs, dances and scenes recording this story, which is already deeply embedded in the local history. A significant and lasting undertaking for all the producers involved, exemplifying the potential in this form of collaboration.