2024 Recipients
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Best Set Design
Kevin O’Brien, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Chloe Greaves, Medea – Queensland Theatre
Josh McIntosh, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival
Renée Mulder, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG
Rozina Suliman, Wanderings – The Nest Ensemble/DOOR 3 Queensland Theatre
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Best Costume Design
Lisa Fa’alafi & Leah Shelton, Dangerous Goods – A Polytoxic Production presented by QPAC
Frances Foo, Scenes from a Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA
Libby McDonnell, Dido and Aeneas – Opera Queensland, in association with Circa
Renée Mulder, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG
Deborah Ralston and Seren Wagstaff, Slippery – Curtain World
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Best Lighting Design
Jason Glenwright, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Briana Clark, Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA
Ben Hughes, 37 – Queensland Theatre & Melbourne Theatre Company
Paul Jackson, Gaslight – Rodney Rigby, Queensland Theatre, Marriner Group & TEG
Geoff Squires, AI May – Embodi Theatre/PIP Theatre
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Best Composition/Sound Design
Anna Whitaker, Ready or Not – White Rabbit Theatre & HOTA
Brady Watkins, Moss McGregor and Loki Liddle, Meet Your Maker – Alethea Beetson, Blak Social, Brisbane Festival & Brisbane Powerhouse
Wil Hughes, Blue – A Belvoir Street production, presented by La Boite Theatre
Guy Webster, Cost of Living – Queensland Theatre & Sydney Theatre Company
Guy Webster, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival
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Best Video Design
Alethea Beetson, Sasha Parlett, Boneta-Marie Mabo & Ken Weston, Meet Your Maker – Alethea Beetson, Blak Social, Brisbane Festival & Brisbane Powerhouse
Nevin Howell, Eat Slay Zombie – A Playlab Theatre Production, Presented in Partnership with QPAC
Freddy Komp, AI May – Embodi Theatre/PIP Theatre
Craig Wilkinson & Jon Weber, James and the Giant Peach – Shake & Stir Theatre Co & QPAC
Craig Wilkinson, Round The Twist – Queensland Theatre & QPAC
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Best Direction
Isaac Drandic, 37 – Queensland Theatre & Melbourne Theatre Company
Chelsea August & Egan Sun-Bin, Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA
Yaron Lifschitz, Dido and Aeneas – Opera Queensland, in association with Circa
Nadine McDonald-Dowd, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Lisa Smith, Ready or Not – White Rabbit Theatre & HOTA
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Best Performance in a Leading Role - Mainstage Production
Thomas Weatherall, Blue – A Belvoir Street production, presented by La Boite Theatre
Nelle Lee, GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival
Jade Lomas Ronan, Eat Slay Zombie - A Playlab Theatre Production, Presented in Partnership with QPAC
Vaughan Wapau, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Tibian Wyles, 37 – Queensland Theatre & Melbourne Theatre Company
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Best Performance in a Leading Role - Independent Production
CJ de Mooi, Banana Crabtree Simon – de Mooi Media
Margi Brown Ash, Wanderings – The Nest Ensemble/DOOR 3 Queensland Theatre
Adam Bartlett, Fun Home – PIP Theatre
Leo Buzac, After The End – Salad Days Collective
Ainslee Palmer, Ready or Not – White Rabbit Theatre & HOTA
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Best Performance in a Supporting Role - Mainstage Production
Kimie Tsukakoshi, Trent Dalton's Love Stories – Brisbane Festival & QPAC
Helen Cassidy, Medea – Queensland Theatre
Georgia Corowa, Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Anthony Standish, 37 – Queensland Theatre & Melbourne Theatre Company
Nic Van Lits, Round The Twist – Queensland Theatre & QPAC
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Best Performance in a Supporting Role - Independent Production
Micheal Enright, Fun Home – PIP Theatre
Jaya Fisher-Smith, A Night With The Villains – Mira Ball Productions
Greg Gesch, Love Lies Bleeding – Ad Astra
Julia Johnson, Equus – The X Collective
Rebecca Murphy, Julius Caesar – Queensland Shakespeare Ensemble
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Best Ensemble
Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA
Broadway Bingo – Outside The Jukebox
Horizon – A Playlab Theatre Production
Merrily We Roll Along – Ad Astra
Slippery – Curtain World
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Best Musical or Cabaret
Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Dangerous Goods – A Polytoxic Production presented by QPAC
Fun Home – PIP Theatre
Merrily We Roll Along – Ad Astra
Round The Twist – Queensland Theatre & QPAC
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Best Circus or Physical Theatre Work
Dido and Aeneas – Opera Queensland, in association with Circa
Camp Culture – Dale Woodbridge Brown & Cluster Arts
[gameboy] by Amy Zhang – Presented by Metro Arts and Mad Dance House. Presented as part of Dance24
Suavé – The Pink Flamingo Brisbane
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Best Mainstage Production
37 – Queensland Theatre & Melbourne Theatre Company
Eat Slay Zombie – A Playlab Theatre Production, Presented in Partnership with QPAC
GRIMM – Shake & Stir Theatre Co, QPAC and Brisbane Festival
Medea – Queensland Theatre
Trent Dalton’s Love Stories – Brisbane Festival & QPAC
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Best Independent Production
Scenes From A Yellow Peril – The Reaction Theory & BIPOC ARTS AUSTRALIA
AI May – Embodi Theatre/PIP Theatre
Banana Crabtree Simon – de Mooi Media
Love Lies Bleeding – Ad Astra
Ready or Not – White Rabbit Theatre & HOTA
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Billie Brown Award - Best Emerging Artist
Salad Days Collective – Body of Work: After The End, Backdock Arts; Scenes With Girls, PIP Theatre; Love, VENTspace
Sophia Ivanna Hodych – Creation, Co-direction, Co-writing: Art of Courage, Art of Courage UKRAINE, PIP Theatre, Brisbane Immersive,
Adelaide Lukin – Set and Costume Design: Love Lies Bleeding, Ad Astra; Direction: A Balloon Will Pop *at some point during this play, PIP Theatre, East and Under Theatre Co; Mask Design: Art of Courage, Art of Courage Ukraine, PIP Theatre, Brisbane Immersive; Prop Design: Adventures of Peter Rabbit, Small Crown Productions
Clarise Ooi – Performance: AI May, Embodi Theatre/PIP Theatre
Thomas Weatherall – Creation, Writing, Performance: Blue, A Belvoir Street production, presented by La Boite Theatre
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The Lord Mayor's Award for Best New Australian Work
Blue – Playwright: Thomas Weatherall (A Belvoir Street production, presented by La Boite Theatre)
Eat Slay Zombie – Playwright: Alinta McGrady (A Playlab Theatre Production, Presented in Partnership with QPAC)
Ready or Not – Creator: Ainslee Palmer (White Rabbit Theatre & HOTA)
Slippery – Playwright: Esther Dougherty (Curtain World)
Wanderings – Co-writers: Margi Brown Ash, Zac Callaghan & Leah Mercer (The Nest Ensemble/DOOR 3 Queensland Theatre)
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The Behind The Scenes Award
Brendan O’Connor, TheatreiNQ
Brendan O’Connor is a workshop builder, set realiser, creator, artist, associate artistic director, mentor, teacher, rigger, and technical crew member. As Co-founder and Associate Artistic Director of TheatreiNQ in Townsville, Brendan has not just changed many set pieces, floorboards, and lightbulbs, he has greatly impacted the arts and cultural sector in Far North Queensland and enriched the livelihoods of many performers, young people, and members of the public through his practice. Brendan was paramount in the construction of not only TheatreiNQ itself, but also its venue The Clubhouse, which houses all of the company’s mainstage productions and the numerous youth and regional engagement programs run by TheatreiNQ. He has created and delivered outstanding productions, encouraged and guided young artists, energised and revitalised the community, and inspires all those who know him.
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The Gold Matilda
Flipside Circus
Flipside Circus is one of Queensland’s largest youth arts organisations and one of our great success stories.
Since their beginnings in 1994 with community classes under a tree in Davies Park, West End, Flipside have been providing young people across Queensland with the opportunity to learn circus and physical performance regardless of background or circumstances. Focusing on collaboration and celebrating creativity, they foster the development of our next generation of circus and physical theatre artists and create memorable performances on themes that are meaningful to young people, including Matilda nominated shows like 'We Live Here' and 'Wilbur the Optical Whale'.
In 2023, with the support of government and their broader community, the company opened a $2.4 million purpose-built circus training and presentation space in Hamilton, with specialist circus training facilities unlike any other in Australia, enabling emerging and established circus companies in southeast Queensland to collaborate and create new work. The venue faced a fire at the beginning of 2024, remaining closed for repairs until September. Despite this, Flipside stayed committed to their work, delivering 2,104 workshops for 23,381 participants across the state, including 119 programs to 3,860 kids in over 40 communities in regional and remote Queensland and accessible workshops for 1207 participants as a part of their community/social circus program.
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The Judges Award
Straight From The Strait – Opera Queensland, Yumpla Nerkep Foundation & QPAC, in association with Brisbane Festival
Straight from the Strait was an ambitious and culturally significant work, several years in the making, the first Torres Strait Island musical and one of the first fully staged TSI stories. As such it carries a weight of responsibility to families and to cultural storytelling, as well as entertaining and informing a broader audience.
The mix of language with limited surtitles meant that English speaking audience members had to guess at times what was being said, reflecting the experience of Torres Strait Islanders themselves at first contact with English speakers.
The response of the community to the work suggests that it will settle into the culture, being performed over and again, not necessarily in its entirety, but as songs, dances and scenes recording this story, which is already deeply embedded in the local history. A significant and lasting undertaking for all the producers involved, exemplifying the potential in this form of collaboration.