2023 Recipients
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Best Set Design
Tyler Hill, Stunt Double, The Farm, Brisbane Festival, Brisbane Powerhouse, Screen Queensland, Performing Lines
David Cross, RED, Dancenorth
Peter Keavy, Capricorn, La Boite Theatre in Association with QPAC
Josh McIntosh, Tae Tae in the Land of Yaaas!, Shake & Stir Theatre Co, QPAC and Brisbane Festival
Simone Romaniuk, BANANALAND, Brisbane Festival, QPAC
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Best Costume Design
Delvene Cockatoo-Collins and Peter Keavy, Capricorn, La Boite Theatre in Association with QPAC
Dan Gough, Kasey Turner, Savannah Fry, Emily Overton, CAKE, IMRSE
Jess Hansen, Billy Elliot, Matt Ward Entertainment
Belinda Gayle McCormack, Adventures of Peter Rabbit, Small Crown Productions
Simone Romaniuk, BANANALAND, Brisbane Festival, QPAC
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Best Lighting Design
Ben Hughes, Salamander, Brisbane Festival, Northshore
Yaron Lifschitz, Eternity, Circa, Brisbane Festival, City of Newcastle’s New Annual Festival
Trent Suidgeest, Frankenstein, Shake & Stir Theatre Co, QPAC
Trent Suidgeest, Tae Tae in the Land of Yaaas!, Shake & Stir Theatre Co, QPAC and Brisbane Festival
Bernie Tan-Hayes, Vietgone, Queensland Theatre
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Best Composition/Sound Design
Kate Miller-Heidke, Keir Nuttall, James Dobinson, Joy Weng and Terry McKibbin, BANANALAND, Brisbane Festival, QPAC
Alisdair Macindoe, RED, Dancenorth
Josh Notting & Autumn Skuthorpe, Breathe In, Crossroad Arts
Guy Webster, Drizzle Boy, Queensland Theatre
Guy Webster & Matt Hsu’s Obscure Orchestra, The Poison of Polygamy, La Boite Theatre and Sydney Theatre Company
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Best Video Design
Freddy Komp, Breathe In, Crossroad Arts
Justin Harrison, Is That You, Ruthie?, QPAC in association with Oombarra Productions
Nevin Howell, Vietgone, Queensland Theatre
Craig Wilkinson, Frankenstein, Shake & Stir Theatre Co, QPAC
Craig Wilkinson, Wizard of Oz in Concert, Prospero Arts, QPAC
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Best Direction
Daniel Evans, Drizzle Boy, Queensland Theatre
Ngọc Phan & Daniel Evans, Vietgone, Queensland Theatre
Leah Purcell, Is That You, Ruthie?, QPAC in association with Oombarra Productions
Timothy Wynn, Every Brilliant Thing, THAT Production Company, Metro Arts
Alison Richardson, Breathe In, Crossroad Arts
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Best Performance in a Leading Role - Mainstage Production
Chenoa Deemal, Is That You, Ruthie?, QPAC in association with Oombarra Productions
Seán Dowling, Unconditional, Playlab Theatre, presented by Playlab Theatre and Brisbane Festival, Brisbane Powerhouse
Anthony Gooley, The Mystery of the Valkyrie, Woodward Productions, PowerArts
Cameron Hurry, Unconditional, Playlab Theatre, presented by Playlab Theatre and Brisbane Festival, Brisbane Powerhouse
Kimie Tsukakoshi, The Poison of Polygamy, La Boite Theatre and Sydney Theatre Company
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Best Performance in a Leading Role - Independent Production
Jason Klarwein, Every Brilliant Thing, THAT Production Company, Metro Arts
Caitlin Dooley, CAKE, IMRSE
Stephen Hirst, Sexual Misconduct of the Middle Classes, Offside Theatre
Liliana Macarone, The Penelopiad, Queensland Shakespeare Ensemble
Cecilia Martin, Break, The Farm, Metro Arts
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Best Performance in a Supporting Role - Mainstage Production
Ngọc Phan, Vietgone, Queensland Theatre
Helen Cassidy, Tae Tae in the Land of Yaaas!, Shake & Stir Theatre Co, QPAC and Brisbane Festival
Courtney Cavallaro, As You Like It, Queensland Theatre
Barbara Lowing, The Appleton Ladies’ Potato Race, Queensland Theatre
Merlynn Tong, The Poison of Polygamy, La Boite Theatre and Sydney Theatre Company
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Best Performance in a Supporting Role - Independent Production
Cameron Hurry, Grand Horizons, PIP Theatre
Pierce Gordon, Proof, Ad Astra
Aimee Duroux, Proof, Ad Astra
Brigitte Freeme, Top Girls, Ad Astra
Zoe de Plevitz, Adventures of Peter Rabbit, Small Crown Productions
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Best Ensemble
Stunt Double, The Farm, Brisbane Festival, Brisbane Powerhouse, Screen Queensland, Performing Lines
Betwixt, Pink Matter, Metro Arts
Salamander, Brisbane Festival, Northshore
The Penelopiad, Queensland Shakespeare Ensemble
From Little Things, Flipside Circus, Casus Creations
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Best Musical or Cabaret
BANANALAND, Brisbane Festival, QPAC
A Very Naughty Christmas, Woodward Productions
Billy Elliot, Matt Ward Entertainment
Merry Mixology, Outside the Jukebox
The Wizard of Oz in Concert, Prospero Arts, QPAC
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Best Circus or Physical Theatre Work
Stunt Double, The Farm, Brisbane Festival, Brisbane Powerhouse, Screen Queensland, Performing Lines
Break, The Farm, Metro Arts
Party Ghost, Brisbane Festival, Cluster Arts, Metro Arts
RED, Dancenorth
Salamander, Brisbane Festival, Northshore
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Best Mainstage Production
Drizzle Boy, Queensland Theatre
Breathe In, Crossroad Arts
Is That You, Ruthie?, QPAC in association with Oombarra Productions
Vietgone, Queensland Theatre
Frankenstein, Shake & Stir Theatre Co, QPAC
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Best Independent Production
Every Brilliant Thing, THAT Production Company, Metro Arts
Sexual Misconduct of the Middle Classes, Offside Theatre
CAKE, IMRSE
ITEM, Dance Masala's Nakhre Crew, Metro Arts
Proof, Ad Astra
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Billie Brown Award - Best Emerging Artist
Nevin Howell: Video design, Drizzle Boy, Queensland Theatre; Vietgone, Queensland Theatre; White China, Playlab Theatre
Caitlin Hill: Direction, Proof, Ad Astra
Courtney Cavallaro: Performance, As You Like It, Queensland Theatre
Peter Keavy: Set and costume design, Capricorn, La Boite Theatre in association with QPAC; Higher Faster Louder, JUTE
Malika Savory: Performance, Children of the Black Skirt, Lost Child Ensemble/The Curators’ Theatre; Picnic at Hanging Rock, Observatory Theatre
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The Lord Mayor's Award for Best New Australian Work
Breathe In, Co-creators Brenden Borellini, Georgia Cranko, Alison Richardson, Crossroad Arts
Drizzle Boy, Writer Ryan Enniss, Queensland Theatre
Don’t Ask What the Bird Look Like, Writer Hannah Belanszky, Queensland Theatre
Is That You, Ruthie?, Stage Adaptation by Leah Purcell, based on Is That You, Ruthie? and Buthalangi: A Maranoa Woman by Dr Ruth Hegarty, QPAC in association with Oombarra Productions
Unconditional, Playwrights Seán Dowling, Cameron Hurry, Playlab Theatre, presented by Playlab Theatre and Brisbane Festival, Brisbane Powerhouse
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The Behind The Scenes Award
Darryl Keys
Darryl Keys is one of the most dedicated, hardworking, resourceful and skilled technicians in the industry. As Head Technician in the staging department at QPAC, Darryl is invaluable in mounting numerous productions, working tirelessly within his own department, while also going above and beyond to deliver the highest quality of service to external companies. The extreme level of difficulty to curate the build, tech and success of these productions is a perfect showcase of Darryl’s skills. A foundation of expert knowledge, a source of inspiration, a complex problem solver, and a staple in our technical community. Darryl's work is seen, admired, and immensely appreciated.
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The Gold Matilda
Suellen Maunder, JUTE
Artistic Director since 1992, pioneering regional theatre, new work development and support of local theatre practitioners. Artistic Director & CEO of JUTE Theatre Company, Cairns, Suellen was founding member in 1992, alongside Kathryn Ash and Susan Prince, of Just Us Theatre Ensemble, a gutsy, forward-looking company which grew to become a dynamic, award-winning new work theatre organisation and a beacon for regional arts practice across Australia. For more than 30 years, Suellen has led with energy, tenacity and rigour, stepping into different roles on and off stage, spearheading the development, production and touring of new, diverse and vibrant work. Suellen was also a key figure in the establishment of Bulmba-ja Arts Centre and is a well-respected voice in the state and national arts communities.
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The Judges Award
Breathe In, Crossroad Arts
For breaking new ground in integrating multiple communication modes within the artistic process
A powerful site-specific work giving voice to themes and stories of survival, isolation, grief and courage drawn from performers Brenden Borellini and Georgia Cranko, both denied ‘the luxury of speech’ through lived experience of disability. Expanding out from their alternative communication needs, the production breaks new ground in artistically integrating multiple communication modes (signing, touch, palm-writing, text-keyboard, audio-describing, captioning, voice-over, movement) alongside original live music, oversized projections and compelling sound design. Breathe In is not so much a play which audiences passively observe, but a gripping sensory experience, giving unique and unflinching insight into the worlds of the artist/protagonists and, for many of its audience members, leaves their perception of living with disability powerfully, positively and permanently altered.