2022 Recipients
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Best Set Design
Renée Mulder, First Casualty, Queensland Theatre
John Felmingham, Sarah Winter, Aimée Pouzet, and the Counterpilot Team, Adrift, Counterpilot & Metro Arts
Josh McIntosh, Fourteen, Shake & Stir Theatre Co & QPAC & Brisbane Festival
Josh McIntosh and Echo Wu, Slow Boat, Playlab Theatre, Brisbane Festival & Brisbane Powerhouse
Simone Romaniuk, The Almighty Sometimes, Queensland Theatre
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Best Costume Design
Leah Shelton, Batshit, Polytoxic, Brisbane Festival & Metro Arts
Simona Cosentini and Simone Tesorieri, Othello, Queensland Theatre
Maria McRae, A Bee Story 2, ARC Circus & HOTA
Renée Mulder, First Casualty, Queensland Theatre
Simone Romaniuk, Bernhardt/Hamlet, Queensland Theatre
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Best Lighting Design
Jason Glenwright, The Twits, Shake & Stir Theatre Co & QPAC
Christine Felmingham, Adrift, Counterpilot & Metro Arts
Christine Felmingham, Bunker, Lisa Wilson Projects & Metro Arts
Jason Glenwright, Batshit, Polytoxic, Brisbane Festival & Metro Arts
Ben Hughes, The Almighty Sometimes, Queensland Theatre
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Best Composition/Sound Design
Guy Webster, Bunker, Lisa Wilson Projects Metro Arts
Tony Brumpton, Holding Achilles, Dead Puppet Society, Legs On The Wall, Brisbane Festival, Queensland Performing Arts Centre, Sydney Festival, Glass Half Full Productions
Kenneth Lyons , Batshit, Polytoxic, Brisbane Festival & Metro Arts
Mike Willmett, Adrift, Counterpilot & Metro Arts
Mike Willmett, The Almighty Sometimes, Queensland Theatre
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Best Video Design
Grace Uther & Freddy Komp, Batshit, Polytoxic, Brisbane Festival & Metro Arts
Jeremy Gordon & Nathan Sibthorpe, Bunker, Lisa Wilson Projects & Metro Arts
Blake Howson & Sarah Stafford, Again, You Have Trusted Me, Backbone Youth Arts
Ken Weston, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC
Craig Wilkinson, First Casualty, Queensland Theatre
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Best Direction
Daniel Evans, The Almighty Sometimes, Queensland Theatre
Ross Balbuziente, The Twits, Shake & Stir Theatre Co & QPAC
Mikayla Hosking, Rabbit Hole, Ad Astra Theatre Company
Jason Klarwein, Othello, Queensland Theatre
Lisa Wilson and Nathan Sibthorpe, Bunker, Lisa Wilson Projects & Metro Arts
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Best Performance in a Leading Role - Mainstage Production
Jimi Bani, Who’s Afraid of Virginia Woolf?, State Theatre Company of South Australia & Queensland Theatre
Andrew Buchanan, Othello, Queensland Theatre
Nelle Lee, The Twits, Shake & Stir Theatre Co & QPAC
Lorinda Merrypor, Face to Face, A Playlab Theatre Production presented in partnership with Metro Arts
Angie Milliken, Bernhardt/Hamlet, Queensland Theatre
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Best Performance in a Leading Role - Independent Production
Leah Shelton, Batshit, Polytoxic, Brisbane Festival & Metro Arts
Zac Boulton, Fuel, Shock Therapy Productions
Paula Delaney-Nazarski, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC
Sarah McLeod, Fuel, Shock Therapy Productions
Vanessa Moltzen, Brilliant Traces, Ad Astra Theatre Company
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Best Performance in a Supporting Role - Mainstage Production
Amy Ingram, Fourteen, Shake & Stir Theatre Co, QPAC & Brisbane Festival
Benjin Maza, Othello, Queensland Theatre
Sarah Ogden, Othello, Queensland Theatre
Trent Owers, The Sunshine Club, Queensland Theatre & QPAC
Silvan Rus, Slow Boat , Playlab Theatre, Brisbane Festival & Brisbane Powerhouse
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Best Performance in a Supporting Role - Independent Production
Janelle Bailey, The Normal Heart, Ad Astra Theatre Company
Madeleine Little, The Normal Heart, Ad Astra Theatre Company
James Blee, BU21, The Drama Merchant
Bernadette Pryde, Toy Symphony, Ad Astra Theatre Company
Sam Valentine, The Boys, PIP Theatre
Tibian Wyles, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC
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Best Ensemble
Dirty Fame Flash Candles Club, Western Standard Productions
Boy, Lost, Belloo Creative
First Casualty, Queensland Theatre
Jane Eyre, Shake & Stir Theatre Co & QPAC
Tiddas, La Boite Theatre, QPAC & Brisbane Festival
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Best Musical or Cabaret
Dirty Fame Flash Candles Club, Western Standard Productions
A Very Naughty Christmas, Woodward Productions
All Fired Up, Box Jelly Creative and Roz Pappalardo Projects & Brisbane Powerhouse
Sisters Are Doing It For Themselves, The Little Red Company
The Last Five Years, La Boite Theatre
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Best Circus or Physical Theatre Work
Knee Deep, Casus Creations & CIRCFest
A Bee Story 2, ARC Circus & HOTA
Bunker, Lisa Wilson Projects & Metro Arts
Holding Achilles, Dead Puppet Society, Legs On The Wall, Brisbane Festival, Queensland Performing Arts Centre, Sydney Festival, Glass Half Full Productions
JINGLE, JACs Entertainment
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Best Mainstage Production
The Almighty Sometimes, Queensland Theatre
Fourteen, Shake & Stir Theatre Co, QPAC & Brisbane Festival
Othello, Queensland Theatre
Slow Boat, Playlab Theatre, Brisbane Festival & Brisbane Powerhouse
The Twits, Shake & Stir Theatre Co & QPAC
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Best Independent Production
Batshit, Polytoxic, Brisbane Festival & Metro Arts
All Fired Up, Box Jelly Theatre Co and Roz Pappalardo Projects & Brisbane Powerhouse
Bear With Me, David Megarity, Tyrone & Lesley & Metro Arts
Boy, Lost, Belloo Creative
Bunker, Lisa Wilson Projects &Metro Arts
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Billie Brown Award - Best Emerging Artist
Oliver Hetherington-Page, The No Bang Theory, indelabilityarts
Perry Mooney, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC
Morgan Francis, Boy, Lost, Belloo Creative
Reagan Mannix, First Casualty, Queensland Theatre
Thomas Stewart, Assume People Like You, Cluster Arts & Melon the Human
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The Lord Mayor's Award for Best New Australian Work
Boy, Lost Adapted for the stage by Katherine Lyall-Watson from the book by Kristina Olsson, Produced by Belloo Creative
An Ideal Husband By Lewis Treston after Oscar Wilde, Produced by La Boite Theatre
Batshit By Leah Shelton, Produced by Brisbane Festival & Metro Arts.
Face to Face By Emily Wells, A Playlab Theatre Production presented in partnership with Metro Arts
Fourteen By Nelle Lee, Nick Skubij with Shannon Molloy, Produced by Shake & Stir Theatre Co, QPAC & Brisbane Festival
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The Behind The Scenes Award
Daniel Maddison
Daniel Maddison is a highly experienced technical and production manager with over 20 years of experience across more than 150 productions. Daniel is known for his patience, supportive attitude, strong work ethic, his commitment, and attention to detail. He consistently takes initiative to support creative artists to bring their ideas to fruition, going above and beyond to deliver a high standard in all the productions he is associated with. Daniel’s professionalism, friendly demeanour and positivity instil confidence in all of those who have been lucky enough to work with him.
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The Gold Matilda
Tom Oliver & Wynnum Fringe
When Covid struck in 2020 and Tom Oliver’s work evaporated, he turned his talents to launching the inaugural Wynnum Fringe Festival. Across two days in November 2020, Wynnum Fringe activated laneways, carparks, loading docks, parks, a beach and streets. In all 6600 tickets were sold to 50 performances including 22 sold-out ticketed events. Employment was created for 150 artists and 43 creative staff and 10,000 people came to Wynnum CBD. The 2021 Festival nearly doubled, engaging over 300 artists and 40 crew across 14 locations. By 2022 the Fringe attracted almost 30,000 people and the event had established itself as a nationally and internationally recogised Fringe Festival.
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The Judges Award
Adrift, Counterpilot & Metro Arts
2022 sees the introduction of a new award given at the discretion of the judges. It emerged from a desire to recognise outstanding work that may not fit within existing categories. In this way, the Matilda Awards judging panel encourages Queensland creatives to push artistic and/or other boundaries. Counterpilot’s Adrift challenged the judges’ notions of what live theatre can be. With a cup of immersive, a tablespoon of bedtime story, and a drizzle of team-building exercise, Adrift made a delicious theatrical meal. It awakened the senses, created meaning, encouraged individual creativity, and demanded audience collaboration in real time and space.