2022 Recipients

  • Best Set Design

    Renée Mulder, First Casualty, Queensland Theatre

    John Felmingham, Sarah Winter,  Aimée Pouzet, and the Counterpilot Team, Adrift, Counterpilot & Metro Arts

    Josh McIntosh, Fourteen, Shake & Stir Theatre Co & QPAC & Brisbane Festival

    Josh McIntosh and Echo Wu, Slow Boat, Playlab Theatre, Brisbane Festival & Brisbane Powerhouse

    Simone Romaniuk, The Almighty Sometimes, Queensland Theatre

  • Best Costume Design

    Leah Shelton, Batshit, Polytoxic, Brisbane Festival & Metro Arts

    Simona Cosentini and Simone Tesorieri, Othello, Queensland Theatre

    Maria McRae, A Bee Story 2, ARC  Circus & HOTA

    Renée Mulder, First Casualty, Queensland Theatre

    Simone Romaniuk, Bernhardt/Hamlet, Queensland Theatre

  • Best Lighting Design

    Jason Glenwright, The Twits, Shake & Stir Theatre Co & QPAC

    Christine Felmingham, Adrift, Counterpilot & Metro Arts

    Christine Felmingham, Bunker, Lisa Wilson Projects & Metro Arts

    Jason Glenwright, Batshit, Polytoxic, Brisbane Festival & Metro Arts

    Ben Hughes, The Almighty Sometimes, Queensland Theatre

  • Best Composition/Sound Design

    Guy Webster, Bunker, Lisa Wilson Projects Metro Arts

    Tony Brumpton, Holding Achilles, Dead Puppet Society, Legs On The Wall, Brisbane Festival, Queensland Performing Arts Centre, Sydney Festival, Glass Half Full Productions

    Kenneth Lyons , Batshit, Polytoxic, Brisbane Festival & Metro Arts

    Mike Willmett, Adrift, Counterpilot & Metro Arts

    Mike Willmett, The Almighty Sometimes, Queensland Theatre

  • Best Video Design

    Grace Uther & Freddy Komp, Batshit, Polytoxic, Brisbane Festival & Metro Arts

    Jeremy Gordon & Nathan Sibthorpe, Bunker, Lisa Wilson Projects & Metro Arts

    Blake Howson & Sarah Stafford, Again, You Have Trusted Me, Backbone Youth Arts

    Ken Weston, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC

    Craig Wilkinson, First Casualty, Queensland Theatre

  • Best Direction

    Daniel Evans, The Almighty Sometimes, Queensland Theatre 

    Ross Balbuziente, The Twits, Shake & Stir Theatre Co & QPAC

    Mikayla Hosking, Rabbit Hole, Ad Astra Theatre Company

    Jason Klarwein, Othello, Queensland Theatre

    Lisa Wilson and Nathan Sibthorpe, Bunker, Lisa Wilson Projects & Metro Arts

  • Best Performance in a Leading Role - Mainstage Production

    Jimi Bani, Who’s Afraid of Virginia Woolf?, State Theatre Company of South Australia & Queensland Theatre

    Andrew Buchanan, Othello, Queensland Theatre

    Nelle Lee, The Twits, Shake & Stir Theatre Co & QPAC

    Lorinda Merrypor, Face to Face, A Playlab Theatre Production presented in partnership with Metro Arts

    Angie Milliken, Bernhardt/Hamlet, Queensland Theatre

  • Best Performance in a Leading Role - Independent Production

    Leah Shelton, Batshit, Polytoxic, Brisbane Festival & Metro Arts

    Zac Boulton, Fuel, Shock Therapy Productions

    Paula Delaney-Nazarski, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC

    Sarah McLeod, Fuel, Shock Therapy Productions

    Vanessa Moltzen, Brilliant Traces, Ad Astra Theatre Company

  • Best Performance in a Supporting Role - Mainstage Production

    Amy Ingram, Fourteen, Shake & Stir Theatre Co, QPAC & Brisbane Festival

    Benjin Maza, Othello, Queensland Theatre

    Sarah Ogden, Othello, Queensland Theatre

    Trent Owers, The Sunshine Club, Queensland Theatre & QPAC

    Silvan Rus, Slow Boat , Playlab Theatre, Brisbane Festival & Brisbane Powerhouse

  • Best Performance in a Supporting Role - Independent Production

    Janelle Bailey, The Normal Heart, Ad Astra Theatre Company

    Madeleine Little, The Normal Heart, Ad Astra Theatre Company

    James Blee, BU21, The Drama Merchant

    Bernadette Pryde, Toy Symphony, Ad Astra Theatre Company

    Sam Valentine, The Boys, PIP Theatre 

    Tibian Wyles, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC

  • Best Ensemble

    Dirty Fame Flash Candles Club, Western Standard Productions

    Boy, Lost, Belloo Creative 

    First Casualty, Queensland Theatre 

    Jane Eyre, Shake & Stir Theatre Co & QPAC

    Tiddas, La Boite Theatre, QPAC & Brisbane Festival

  • Best Musical or Cabaret

    Dirty Fame Flash Candles Club, Western Standard Productions

    A Very Naughty Christmas, Woodward Productions

    All Fired Up, Box Jelly Creative and Roz Pappalardo Projects & Brisbane Powerhouse

    Sisters Are Doing It For Themselves, The Little Red Company 

    The Last Five Years, La Boite Theatre

  • Best Circus or Physical Theatre Work

    Knee Deep, Casus Creations & CIRCFest

    A Bee Story 2, ARC Circus & HOTA

    Bunker, Lisa Wilson Projects & Metro Arts

    Holding Achilles, Dead Puppet Society, Legs On The Wall, Brisbane Festival, Queensland Performing Arts Centre, Sydney Festival, Glass Half Full Productions

    JINGLE, JACs Entertainment

  • Best Mainstage Production

    The Almighty Sometimes, Queensland Theatre 

    Fourteen, Shake & Stir Theatre Co, QPAC & Brisbane Festival

    Othello, Queensland Theatre

    Slow Boat, Playlab Theatre, Brisbane Festival & Brisbane Powerhouse

    The Twits, Shake & Stir Theatre Co & QPAC

  • Best Independent Production

    Batshit, Polytoxic, Brisbane Festival & Metro Arts

    All Fired Up, Box Jelly Theatre Co and Roz Pappalardo Projects & Brisbane Powerhouse

    Bear With Me, David Megarity, Tyrone & Lesley & Metro Arts

    Boy, Lost, Belloo Creative 

    Bunker, Lisa Wilson Projects &Metro Arts

  • Billie Brown Award - Best Emerging Artist

    Oliver Hetherington-Page, The No Bang Theory, indelabilityarts

    Perry Mooney, Queen’s City, Blak Social, Brisbane Festival, Screen Qld & QPAC

    Morgan Francis, Boy, Lost, Belloo Creative

    Reagan Mannix, First Casualty, Queensland Theatre

    Thomas Stewart, Assume People Like You, Cluster Arts & Melon the Human

  • The Lord Mayor's Award for Best New Australian Work

    Boy, Lost Adapted for the stage by Katherine Lyall-Watson from the book by Kristina Olsson, Produced by Belloo Creative

    An Ideal Husband By Lewis Treston after Oscar Wilde, Produced by La Boite Theatre

    Batshit By Leah Shelton, Produced by Brisbane Festival & Metro Arts.

    Face to Face By Emily Wells, A Playlab Theatre Production presented in partnership with Metro Arts

    Fourteen By Nelle Lee, Nick Skubij with Shannon Molloy, Produced by Shake & Stir Theatre Co, QPAC & Brisbane Festival

  • The Behind The Scenes Award

    Daniel Maddison

    Daniel Maddison is a highly experienced technical and production manager with over 20 years of experience across more than 150 productions. Daniel is known for his patience, supportive attitude, strong work ethic, his commitment, and attention to detail. He consistently takes initiative to support creative artists to bring their ideas to fruition, going above and beyond to deliver a high standard in all the productions he is associated with. Daniel’s professionalism, friendly demeanour and positivity instil confidence in all of those who have been lucky enough to work with him.

  • The Gold Matilda

    Tom Oliver & Wynnum Fringe

    When Covid struck in 2020 and Tom Oliver’s work evaporated, he turned his talents to launching the inaugural Wynnum Fringe Festival. Across two days in November 2020, Wynnum Fringe activated laneways, carparks, loading docks, parks, a beach and streets. In all 6600 tickets were sold to 50 performances including 22 sold-out ticketed events. Employment was created for 150 artists and 43 creative staff and 10,000 people came to Wynnum CBD. The 2021 Festival nearly doubled, engaging over 300 artists and 40 crew across 14 locations. By 2022 the Fringe attracted almost 30,000 people and the event had established itself as a nationally and internationally recogised Fringe Festival.

  • The Judges Award

    Adrift, Counterpilot & Metro Arts

    2022 sees the introduction of a new award given at the discretion of the judges. It emerged from a desire to recognise outstanding work that may not fit within existing categories. In this way, the Matilda Awards judging panel encourages Queensland creatives to push artistic and/or other boundaries. Counterpilot’s Adrift challenged the judges’ notions of what live theatre can be. With a cup of immersive, a tablespoon of bedtime story, and a drizzle of team-building exercise, Adrift made a delicious theatrical meal. It awakened the senses, created meaning, encouraged individual creativity, and demanded audience collaboration in real time and space.